This is a top 10 list. I’m only really doing it for reasons that will become clear later in the week. Hopefully tomorrow. Probably Friday. More likely still, never. We’ll cross our fingers.
- Twin Shadow- Forget
This was the soundtrack for my 2010. I was psyched to hear the first few songs online, but I didn’t realize how psyched I was until I got the cd at the wedding of the century. Starting that weekend, I began a Twin Shadow listening spree that isn’t quite over yet. When I was packing up my apartment in Chicago, it was the only CD I had, so I listened to it non-stop. Then I listened to it non-stop again once I got to DC. After a few weeks, I’d maybe only listen to it every other day, but then TS (also my sister’s initials) would play a DC show and I’d get amped all over again. Anyhow, it’s awesome, and it’s my favorite record of the year.
- Sufjan Stevens- The Age of Adz
This record totally surprised me. Not only did I not know it was coming out (been kinda busy with school),but I figured when it did come out it would be just a Sufjan Stevens record- pretty, cool, interesting, but I’d probably listen to it a dozen times and be over it. But that was not to be. It’s a crazy, weird, quiet, dancy, spastic record with all the cool arrangements and complexity and beauty you’d expect, but then a whole lot of weirdness on top of that.
- Superchunk- Majesty Shredding
Awesome. I don’t even know why I bought this, I only really like two Superchunk songs (Foolish and their 100,000 Fireflies cover) and noneof their records would have even made it to a top 100 list, but I liked the idea of a bunch of old folks making a record, plus Merge is basically flawless so whatever. And this record, like the label, is basically flawless. It doesn’t sound like a band that’s been putting out records since forever: it’s got the great energy/urgency they’ve always had. I think every song on the record has at one point been stuck in my head for a day or two, and never in the annoying/gottagetitoutomfg sort of a way. Especially “Crossed Wires.”
- The Books- The Way Out
Another Books record! Always good news! It didn’t seem like it had actually been that long since Lost &Safe came out (still one of my favorite album titles), but it had been more than five years. Kinda like Sufjan, I was expecting a mellower affair, but it’s practically danceable.
It’s also got great packaging, complete with stickers you cxan use to create your own cover. Of course, I left all the stickers on their paper (I bet most people did), but it’s a neat idea.
- Neon Indian- Psychic Chasms
I bought this record because it has a super ugly cover and he was playing Pitchfork, so I figured I’d buy it. For a while it was the only song I had on my laptop, so I listened to it endlessly while studying. I hate saying that a record is good to listen to while doing something else, because that’s so backhanded it can’t even be a compliment, but I wrote some pretty good papers with this in the background. Twin Shadow covers Neon Indian, so that’s weird and cool. Pretty fun to see at Pitchfork, but I think they’d be a lot more fun to see in a sweaty club than a sweaty park.
- Girls- Broken Dreams Club
It’s a Girls record with six songs on it. It’s on the list, cause it’s awesome, but I’d prefer another six songs or so. I think a lot of people secretly like this record- my brother recently confessed to liking it, as well as a couple other people. When I first heard Album last year, I couldn’t decide if I hated it or loved it. This time, however, I immediately loved it, but I guess that’s not too surprising. I wanna hear some dancy remixes!
- Surfer Blood- Astro Coast
I wrote about this record when I First bought it, and I thought it was boring, generic indie rock. I still hear why I thought that, but the songs are way better than I gave them credit for. And lest I seem like too much of a Twin Shadow fanboy (which I am), my opinion re: SB changed before the Twin Shadow remix of “Floating Vibes”came out.
- Thermals- Personal Life
I liked the Thermals at first cause they were a lo-fi punk band with diary-like lyrics that didn’t make you cringe. Easy. Then they got all political, and the result was awesome, but I’m glad this record came out. That said, I prefer playing it at 45.
- Broken Social Scene- Forgiveness Rock Record
This band is good. This record is good. I’m sick of writing. I should have written this in reverse order, you know, with my favorite at the bottom of the list so I’d more more interested in writing about the music as I went along, rather than the reverse. In related news, I don’t much like the video for “Texico Bitches.”
- Spoon- Transference
Yup. Another Spoon record. I feel kinda the same way about Spoon as I do BSS- I love the way they sound and can listen to their records pretty much whenever and get stoked, but there’s like.. nothing specific that I can point to, just the sound. They just sound cool? That’s silly, but, like I said, I’m getting sick of writing. Yup.
The next five, in no order, with even less commentary:
Ted Leo- Brutalist Bricks
Arcade Fire- The Suburbs
Broken Bells – Broken Bells
Band of Horses- Infinite Arms
Girl Talk- All Day
Things I just got into in 2010,a year or more late: White Rabbits, Grizzly Bear, The Carpenters, The Bevis Frond (specifically “Lights Are Changing” a cool track made famous by a Mary Lou Lord cover, I think), Belle & Sebastian’s first two records (we, along with Brussels sprouts, have the same initials), Rocket From the Crypt / Night Marchers, Field Music, Superchrist, Sweet Cobra. The Sweet Cobra record technically came out this year, bu..you know. Technicalities.